A memoir is a work of nonfiction that is based on the author's memories. In 2013 memoirists Victoria Twead and Alan Parks, set up "We Love Memoirs Day" on August 31st, as a time where readers and writers of memoirs can get together. We love memoir day can be a day for writing, learning, exploring, and reading. One way to get started on this is by trying out different exercises, such as the six-word memoir
Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure: from Smith magazine
https://nationaltoday.com/we-love-memoirs-day/#:~:text=We%20Love%20Memoirs%20Day%20is,and%20experiences%20affected%20the%20author.
https://www.daysoftheyear.com/days/we-love-memoirs-day/
"From one of the preeminent cultural critics of her generation, a radiant weave of memoir, criticism, and biography that tells the story of black women in music--from the Dixie Cups to Gladys Knight to Janet, Whitney, and Mariah-- as the foundational story of American pop"--. Provided by publisher.
"A journalist's powerful and incisive account of the forces steering the fate of his sprawling Filipinx-American family reframes how we comprehend the immigrant experience. Nearing the age at which his mother had migrated to the U.S., part of the wave of non-Europeans who arrived after immigration quotas were relaxed in 1965, Albert Samaha began to question the ironclad belief in a better future that had inspired her family to uproot themselves from their birthplace. As a rising tide of inequality and discrimination threatened to engulf her, her brother Spanky-a rising pop star back in Manila, now working as a luggage handler at San Franciso airport, his singing carrying no farther than a restaurant on Fisherman's Wharf-and others of their generation, he wondered whether their decision to abandon a middle-class existence in the Philippines had been worth the cost. Excavating his family's history back to the region's unique geopolitical roots in Spanish colonialism, Japanese occupation, and American intervention, Samaha fits his family's arc into the wider story of global migration as determined by chess moves among superpowers. And by relating their personal history with warmth and affection but also clear-eyed skepticism, 'Concepcion' explores what it might mean to reckon with imperialism's unjust legacy, to live with contradiction and hope, to fight for the unrealized ideals of an inherited homeland"--. Publisher's description.
"Eighteen months before her beloved father died, Kathryn Schulz met Casey, the woman who would become her wife. Lost & Found weaves together their love story with the story of losing Kathryn's father in a brilliant exploration of the way families are lost and found and the way life dispenses wretchedness and suffering, beauty and grandeur all at once. Schulz writes with painful clarity about the vicissitudes of grieving her father, but she also writes about the vital and universal phenomenon of finding. The book is organized into three parts: "Lost," which explores the sometimes frustrating, sometimes comic, sometimes heartbreaking experience of losing things, grounded in Kathryn's account of her father's death; "Found," which examines the experience of discovery, grounded in her story of falling in love; and finally, "And," which contends with the way these events happen in conjunction and imply the inevitable: Life keeps going on, not only around us but beyond us and after us. Kathryn Schulz has the ability to measure the depth and breadth of human experience with unusual exactness and then to articulate the things all of us have felt but have been unable to put into language. Lost & Found is a work of philosophical interrogation as well as a story about life, death, and the discovery of one great love just as she is losing another"--. Provided by publisher
"An essential, surprising journey through the history, rituals, and landscapes of the American South--and a revelatory argument for why you must understand the South in order to understand America"--. Provided by publisher. A Recommended Read from: The New York Times * TIME * Oprah Daily * USA Today * Vulture * Essence * Esquire * W Magazine * Atlanta Journal-Constitution * PopSugar * Book Riot * Chicago Review of Books * Electric Literature * Lit Hub
Grohl offers an honest portrait of an extraordinary life made up of ordinary moments. From his deep connection to his hometown of Springfield, Virginia, to the awe he still feels about raising his daughters, he tells stories from his soul. Packed with reflections on touring with Scream, joining Nirvana and watching it all crumble, creating Foo Fighters when his life was at a crossroads, and now crisscrossing the world as a family man, Grohl introduces himself to us as a gifted, engaging writer with a clear-eyed perspective on fame. -- adapted from jacket.
"A landmark exploration of one of the most consequential and mysterious issues of our time: the rise of chronic illness and autoimmune diseases. A silent epidemic of chronic illnesses afflicts tens of millions of Americans: these are diseases that are poorly understood, frequently marginalized, and can go undiagnosed and unrecognized altogether. Renowned writer Meghan O'Rourke delivers a revelatory investigation into this elusive category of "invisible" illness that encompasses autoimmune diseases, post-treatment Lyme disease syndrome, and now long COVIDynthesizing the personal and the universal to help all of us through this new frontier. Drawing on her own medical experiences as well as a decade of interviews with doctors, patients, researchers, and public health experts, O'Rourke traces the history of Western definitions of illness and reveals how inherited ideas of cause, diagnosis, and treatment have led us to ignore a host of hard-to-understand medical conditions, ones that resist easy description or simple cures. And as America faces this health crisis of extraordinary proportions, the populations most likely to be neglected by our institutions include women, the working class, and people of color. Blending lyricism and erudition, candor and empathy, O'Rourke brings together her deep and disparate talents and roles as critic, journalist, poet, teacher, and patient, synthesizing the personal and universal into one monumental project arguing for a seismic shift in our approach to disease. The Invisible Kingdom offers hope for the sick, solace and insight for their loved ones, and a radical new understanding of our bodies and our health."--. Provided by publisher.
"Maud Newton's ancestors have vexed and fascinated her since she was a girl. Her mother's father, who came of age during the Great Depression in Texas, was supposedly married thirteen times, and survived being shot in the stomach by one of his wives. His father purportedly killed a man in the street with a hay hook, and later died in a mental institution. On her father's side, a Massachusetts ancestor was accused of being a witch, who cast sickness on her neighbor's ox and was later tried in court for causing the death of a child. Maud's father had a master's in aerospace engineering on scholarship from an Ivy League university and was valedictorian of his law school class; he also viewed slavery as a benevolent institution that should never have been disbanded and would paint over the faces of brown children in her storybooks. He was obsessed with maintaining the purity of his family bloodline, which he could trace back to the days of the Revolutionary War. Her mother was a whirlwind of charisma and passions that could become obsessions; she kept over thirty cats and birds in a tiny two-bedroom apartment, and later started a church in her living room, where she would perform exorcisms. Maud's parents' marriage was acrimonious, their divorce a relief. But the meeting of their lines in her was something she could not shake. She signed up for an online account and began researching her genealogy. She found records of marriages and trials, wills in which her ancestors gave slaves to their spouses and children. The search took over her life. But as she dabbled in DNA testing and found herself sunk in census archives at 1 o'clock in the morning, it was unclear to her what she was looking for. She wanted a truth that would set her free, in a way she hadn't identified yet. This book seeks to understand why the practice of genealogy has become a multi-billion-dollar industry in contemporary America, while also mining the secrets and contradictions of one singularly memorable family history"--. Provided by publisher.
"Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes." -- from the publisher.
"From the New York Times bestselling author of I Am Not Your Perfect Mexican Daughter, an utterly original memoir-in-essays that is as deeply moving as it is hilariously funny"--. Provided by publisher.
Growing up as the daughter of Mexican immigrants in Chicago in the nineties, Erika Sánchez was a self-described pariah, misfit, and disappointment—a foul-mouthed, melancholic rabble-rouser who painted her nails black but also loved comedy, often laughing so hard with her friends that she had to leave her school classroom. Twenty-five years later, she’s now an award-winning novelist, poet, and essayist, but she’s still got an irrepressible laugh, an acerbic wit, and singular powers of perception about the world around her. In these essays, Sánchez writes about everything from sex to white feminism to debilitating depression, revealing an interior life rich with ideas, self-awareness, and perception. Raunchy, insightful, unapologetic, and brutally honest, Crying in the Bathroom is Sánchez at her best—a book that will make you feel that post-confessional high that comes from talking for hours with your best friend.
"What did Brenda Myers-Powell want? When she turned to prostitution at the age of fifteen, she wanted to support her two baby daughters and have a little money for herself. She was pretty and funny as hell, and although she called herself "Breezy," she was also tough--a survivor in every sense of the word. Over the next twenty-five years, she would move across the country, finding new pimps, parties, drugs, and endless, profound heartache. And she would begin to want something else, something huge: a life of dignity, self-acceptance, and love. Astonishingly, she managed to find the strength to break from an unsparing world and save not only herself but also future Breezys. We have no say into which worlds we are born. But sometimes we can find a way out." -- inside front jacket flap.
"From the first FDNY chief to respond to the 9/11 attacks, an intimate memoir and a tribute to those who died that others might live When Chief Joe Pfeifer led his firefighters to investigate an odor of gas in downtown Manhattan on the morning of 9/11, he had no idea that his life was about to change forever. A few moments later, he watched the first plane crashed into the World Trade Center. Pfeifer, the closest FDNY chief to the scene, spearheaded rescue efforts on one of the darkest days in American history. Ordinary Heroes is the unforgettable and intimate account of what Chief Pfeifer witnessed at Ground Zero, on that day and the days that followed. Through his eyes, we see the horror of the attack and the courage of the firefighters who ran into the burning towers to save others. We see him send his own brother up the stairs of the North Tower, never to return. And we walk with him and his fellow firefighters through weeks of rescue efforts and months of numbing grief, as they wrestle with the real meaning of heroism and leadership. This gripping narrative gives way to resiliency and a determination that permanently reshapes Pfeifer, his fellow firefighters, NYC, and America. Ordinary Heroes takes us on a journey that turns traumatic memories into hope, so we can make good on our promise to never forget 9/11"--. Provided by publisher.
"Write for Your Life is a guide for those who don't, won't, or think they can't write, what Anna Quindlen calls "civilians." Using examples from past, present, and future--from Anne Frank to Toni Morrison to members of her own family--Quindlen makes vivid all the ways in which writing connects us, to ourselves, and to those we cherish. From love letters written after World War II to journal reflections from nurses and doctors today, and using her personal experiences not just as a writer but as a mother and daughter, Quindlen makes the case that recording our daily lives in an enduring form is more important than ever. All of our histories, of current events and personal challenges, can be understood and passed down through the written word; "to write the present," Quindlen says, "is to believe in the future." Write for Your Life is a clarion call to pick up the pen, and find yourself"--. Provided by publisher.