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Around 9pm on August 30, 1888, Fire raged at the South Quay warehouse, and inventory that included brandy and gin only served to fuel the flames. The fire brigade was out in full force, and the police and general public's attention was fully diverted by the inferno, creating a perfect opportunity for murder.
Polly (Mary-Ann) Nichols was a 43-year-old divorced mother of 5; she had left her children behind as she attempted to survive independently. At first, Polly took a position in a London workhouse. Unfortunately, the way workhouses were run made them comparable to prison with long work hours, and more physical abuse than food. Polly moved into a common-lodging house on the East End and became dependent on alcohol and prostitution to survive. Around 3 am on August 31st, Polly and a customer entered Buck's Row. At 3:40 a.m, her body was discovered.
The Lodger by Marie Belloc Lowndes
https://en.wikipedia.org/wiki/Jack_the_Ripper_in_fiction
https://www.jack-the-ripper-tour.com/generalnews/another-murder-in-london/
"The untold story of the women killed by Jack the Ripper--and a gripping portrait of Victorian London--[this book] changes the narrative of these murders forever. Polly, Annie, Elisabeth, Catherine, and Mary Jane are famous for the same thing, though they never met. They came from some of London's wealthiest and poorest neighborhoods, from the factory towns of middle England, and from Wales and Sweden. They wrote ballads, ran coffeehouses, lived on country estates; they breathed ink dust from printing presses and escaped human traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women. For more than a century newspapers have been keen to tell us that 'the Ripper' preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, but it has prevented the real stories of these fascinating women from being told. Now, by drawing on a wealth of formerly unseen archival material and adding full historical context to the victims' lives, Rubenhold finally sets the record straight, revealing a world not just of Dickens and Queen Victoria, but of poverty, homelessness, and rampant misogyny. They died because they were in the wrong place at the wrong time--but their greatest misfortune was to be born women."--Dust jacket.
From New York Times bestselling author Patricia Cornwell comes Ripper: The Secret Life of Walter Sickert, a comprehensive and intriguing exposé of one of the world's most chilling cases of serial murder--and the police force that failed to solve it.
Vain and charismatic Walter Sickert made a name for himself as a painter in Victorian London. But the ghoulish nature of his art--as well as extensive evidence--points to another name, one that's left its bloody mark on the pages of history: Jack the Ripper. Cornwell has collected never-before-seen archival material--including a rare mortuary photo, personal correspondence, and a will with a mysterious autopsy clause--and applied cutting-edge forensic science to open an old crime to new scrutiny.
Incorporating material from Portrait of a Killer: Jack the Ripper--Case Closed, this new edition has been revised and expanded to include eight new chapters.
Looks at one of history's most infamous serial killers known for committing gruesome murders in the late nineteenth-century who remains one of the world's most infamous criminals.
Seventeen-year-old Audrey Rose Wadsworth was born a lord's daughter, with a life of wealth and privilege, stretched out before her. But between the social teas and silk dress fittings, she leads a forbidden secret life. Against her stern father's wishes and society's expectations, Audrey often slips away to her uncle's laboratory to study the gruesome practice of forensic medicine.
When her work on a string of savagely killed corpses drags Audrey into the investigation of a serial murderer, her search for answers brings her close to her own sheltered world.
Joanna and the Watsons are called in by the Whitechapel Playhouse to find Pretty Penny, a lovely, young actress who has gone missing without reason or notice. While on their search, the trio is asked by Scotland Yard to join in the hunt for a vicious murderer whose method resembles that of Jack The Ripper. It soon becomes clear that The Ripper has reemerged after a 28-year absence and is once again murdering young prostitutes in Whitechapel. Following a line of subtle clues, Joanna quickly reasons that Pretty Penny has been taken capture by the killer. But as Joanna moves closer to learning his true identity, the killer sends her a letter indicating her young son Johnny will be the next victim to die. Time is running out, and Joanna has no choice but to devise a most dangerous plan which will bring her face-to-face with the killer. It is the only chance to protect her son and rescue Pretty Penny, and save both from an agonizing death.
In an alternate 1880s London, angels inhabit every public building, and vampires and werewolves walk the streets with human beings in a well-regulated truce. A fantastic utopia, except for a few things: Angels can Fall, and that Fall is like a nuclear bomb in both the physical and metaphysical worlds. And human beings remain human, with all their kindness and greed and passions and murderous intent. Jack the Ripper stalks the streets of this London too. But this London has an Angel. The Angel of the Crows.
London, 1896. Andrew Harrington's lover Marie Kelly was murdered by Jack the Ripper and he longs to turn back the clock and save her. Meanwhile, Claire Haggerty, forever being matched with men her family considers suitable, yearns for a time when she can be free to love whom she chooses. As their quests converge, it becomes clear that time is the problem--to escape it or to change it. Hidden in the attic of popular author--and noted scientific speculator--H.G. Wells is a machine that might offer them the hope they need!
"Veronica Speedwell navigates a dark world of scandal and murder in this new adventure from New York Times bestselling and Edgar Award nominated author Deanna Raybourn. Veronica Speedwell and her natural historian colleague Stoker are asked by Lady Wellingtonia Beauclerk to help with a potential scandal so explosive it threatens to rock the monarchy. Prince Albert Victor is a regular visitor to the most exclusive private club in London, known as the Club de l'Etoile, and the proprietess, Madame Aurore, has received an expensive gift that can be traced back to the prince. Lady Wellie would like Veronica and Stoker to retrieve the jewel from the club before scandal can break. Worse yet, London is gripped by hysteria in the autumn of 1888, terrorized by what would become the most notorious and elusive serial killer in history, Jack the Ripper--and Lady Wellie suspects the prince may be responsible. Veronica and Stoker reluctantly agree to go undercover at Madame Aurore's high class brothel, where another body soon turns up. Many secrets are swirling around Veronica and the royal family--and it's up to Veronica and Stoker to find the truth, before it's too late for all of them"-- Provided by publisher.
In 1888 seventeen-year-old Evelyn Fallow, herself disfigured by the phosphorus in the match factory where she worked, has been hired as a maid to Joseph Merrick, the Elephant Man--but when the Jack the Ripper murders begin she and Merrick find themselves haunted by the ghosts of the slain women, and Evelyn is caught up in the mystery of Jack's identity.
In the fall of 1888, Jack the Ripper slaughtered five prostitutes in London's seamy Whitechapel District. He did not just kill--he ripped with a butcher's glee--and then, after the particularly gruesome slaying of Mary Jane Kelly, he disappeared. For 127 years, Jack has haunted the dark corners of our imagination, the paradigm of the psychotic killer. We remember him not only for his crimes, but because, despite one of the biggest dragnets in London history, he was never caught. I, Ripper is a vivid reimagining of Jack's personal story entwined with that of an Irish journalist who covered the case, knew the principals, charted the investigation, and at last, stymied, went off in a bold new direction. These two men stalk each other through a city twisted in fear of the madman's blade, a cat-and-mouse game that brings to life the sounds and smells of the fleshpot tenderloin of Whitechapel and all the lurid acts that fueled the Ripper headlines. Dripping with intrigue, atmosphere, and diabolical twists, this is a magnificent psychological thriller from perennial New York Times bestseller Stephen Hunter, who the San Francisco Examiner calls "one of the best storytellers of his generation."--Dust jacket.
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