In 7th grade, my classmates along with the students in 8th grade ran amok in the field museum. Thus causing my school to instill a ban on all field trips for the secondary grades. I maintain my innocence, based on the fact that my mother was my group leader and I knew better than to cross her.
When I search online I'm always amazed by the number of museums that are actually around and would really like to make the effort to explore them. I would especially love to see the immersive Immersive Van Gogh exhibit.
"On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins--some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them--and escaped into the darkness. Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature."--Page [2] of cover.
"In a secret meeting in 1981, a master thief named Louis Royce gave career gangster Ralph Rossetti the tip of a lifetime. As a kid, Royce had visited the Isabella Stewart Gardner Museum and made a habit of sneaking in at night to find a good place to sleep. He knew the Museum's security was lax, and he gave this information to a boss of the Boston criminal underworld. It took years before the Museum was hit. But when it finally happened, it quickly became one of the most infamous art heists in history: 13 works of art valued at up to $500 million--including Rembrandt's "The Storm on the Sea of Galilee." The identity of the thieves were a mystery, the paintings were never found. What happened in those intervening years? Which Boston crew landed the big score? And why, more than 20 years later, did the FBI issue a press conference stating that they knew who had pulled off the heist and what had happened to the artwork, but provided no identities and scant details? These mysteries are the story of Kurkjian's revealing book. The best and longest-tenured reporter on this case, and one of the most decorated investigative reporters in America, Kurkjian will reveal the identities of this who plotted the heist, the motive for the crime, and the details that the FBI refused to reveal. He will take the reader deep into the Boston mob, and paint the most complete and compelling picture of this story ever told"-- Provided by publisher.
Searching for the truth behind the secret she's long concealed, Dora, a former domestic servant, is given curatorship of The National Museum of the Worker by her lover, a place that isn't at all what it seems as she unravels a monstrous conspiracy that brings her to the edge of worlds.
It begins in an unnamed city nicknamed “the Fairest”, it is distinguished by many things from the river fair to the mountains that split the municipality in half; its theaters and many museums; the Morgue Ship; and, like all cities, but maybe especially so, by its essential unmappability. Dora, a former domestic servant at the university has a secret desire—to find where her brother went after he died, believing that the answer lies within The Museum of Psykical Research, where he worked when Dora was a child. With the city amidst a revolutionary upheaval, where citizens like Robert Barnes, her lover and a student radical, are now in positions of authority, Dora contrives to gain the curatorship of the half-forgotten museum only to find it all but burnt to the ground, with the neighboring museums oddly untouched. Robert offers her one of these, The National Museum of the Worker. However, neither this museum, nor the street it is hidden away on, nor Dora herself, are what they at first appear to be. Set against the backdrop of a nation on the verge of collapse, Dora’s search for the truth behind the mystery she’s long concealed will unravel a monstrous conspiracy and bring her to the edge of worlds. --Provided by Publisher
Lesson in Red: a novel by Hummel, Maria
"Brenae Brazil is a rising star at Los Angeles Art College, the most prestigious art school in the country, and a pupil of the institution's equally famous and influential director, Hal Giroux. Brenae's path to art world stardom is all but assured, so why did she kill herself shortly after completing a provocative documentary about female bodies, violence, and self-defence? Maggie Richter's return to LA and her old job at the Rocque Museum was supposed to be about restarting her career, reconnecting with old friends, and maybe starting to date again. The last thing she expected was to find herself at the center of another art world mystery concerning the death of Brenae Brazil. Are there hidden clues in Brazil's other works of video art? Maggie will get pulled into the cryptic video art of Brazil that will send her down the rabbit hole of art schools, power struggles over students and mentors, and the still shady and often violent art world in Los Angeles. The work of Kim Lord and the fallout of the Still Lives exhibition looms continually over Maggie and our other returning cast members. Picking up where Still Lives-a Reeses's Book Club and Hello Sunshine selection-left off, Lesson In Red is a fast-paced thriller set against the cutthroat world of high art and the often fatal legacies of women who threaten its status quo"--. Provided by publisher.
"A contemporary retelling of Daphne du Maurier's gripping and iconic novel Rebecca, ALENA tells the story of a bright young curator who finds herself haunted by the legacy of her predecessor at a small, cutting-edge art museum on Cape Cod"-- Provided by publisher.
"For years her explorer father promised Dr. Lauren Westlake she'd accompany him on one of his Egyptian expeditions. But as the empty promises mounted, Lauren determined to earn her own way. Now the assistant curator of Egyptology for the Metropolitan Museum of Art, Lauren receives two unexpected invitations. The first is her repentant father's offer to finally bring her to Egypt as his colleague on a new expedition. The second is a chance to enter the world of New York's wealthiest patrons who have been victims of art fraud. With Egyptomania sweeping the city after the discovery of King Tut's tomb, Detective Joe Caravello is on the hunt for a notorious forger preying on the open wallets of New York's high society. Dr. Westlake is just the expert he needs to help him track the criminal. Together they search for the truth, and the closer Lauren and Joe get to discovering the forger's identity, the more entangled they become in a web of deception and crime."--. Provided by publisher.
Accepting a dream job at the Harlowe House estate museum in New England, Augusta Podos discovers a Harlowe daughter who was almost completely removed from the family historical record and digs deeper, awakening a sinister power. --Provided by Publisher
"Something strange has happened at the unassuming Mus©♭e de Quentin-Savary in Aix-en-Provence. When the director, Monsieur Achille Formentin, walks in one beautiful April morning, he is shocked to find the whole museum emptied of its contents -- only a bench, the reception desk, and a lowly fern remain. Distressed, he calls the local police, and Aix's examining magistrate Antoine Verlaque sets out to discover the thief's identity. But it's the most baffling case Verlaque has ever encountered. Why would someone want to steal porcelain dessert plates, some old documents, and a few small paintings? Could this have something to do with the mysterious robbery of Madame de Montbarbon's apartment a few weeks earlier? And how can Verlaque possibly concentrate on the theft when he and his wife, Marine Bonnet, are going to have a baby?"--. Provided by publisher.
The new night watchman at New York's Museum of Natural History finds that the job comes with more responsibility than he ever dreamed in this wild fantasy comedy directed by Shawn Levy and starring Ben Stiller, Robin Williams, Mickey Rooney, and Dick Van Dyke. Larry Daley (Stiller) is a kind-hearted dreamer who always knew that he was destined for greatness, he just never quite knew how. None of his ideas or inventions has panned out, so with a heavy heart, he takes a regular job as a lowly graveyard-shift security guard at the Museum of Natural History in order to provide a more stable life for himself and his ten-year-old son. His first night on the job, however, he finds that guardianship of the museum is far from stable -- at nightfall, an Egyptian spell brings the artifacts and wax figures to life! With Attila the Hun charging to war through the hallways, the diorama miniatures embroiled in a deadly feud, and a two-ton Tyrannosaurus Rex nagging to play fetch, Larry has half a mind to turn tail and run. On top of cleaning up after two million years of historical chaos every night, he also has to make sure that not a single museum piece leaves the building -- from the bratty Capuchin monkey in the African exhibit, to the life-sized Neanderthal in the prehistoric display -- because if morning light falls on an escaped artifact, it will turn to dust. Larry turns to a wax replica of President Roosevelt (Williams) for a little advice on keeping things in tact, but Teddy seems to think that a man of Larry's greatness needs little help. Larry isn't sure if the former commander in chief is right; this is hardly what he signed up for, but he can't pass up the chance to care for a museum where history really does come to life. ~ Jason Buchanan, Rovi
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