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Thursday, September 14, 2023

National Hispanic Heritage Month.



National Hispanic Heritage Month begins on September 15. This marks the anniversary of El Salvador, Guatemala, Costa Ric, Nicaragua, and Honduras gaining their Independence from Spain in 1821.  Mexico and Chile celebrate their Independence on September 16th and 18th.  National Hispanic Heritage Month lasts through October 15th.    For more information, you can check out these sites:

hispanicheritagemonth.gov.

https://latino.si.edu/learn/teaching-and-learning-resources/hispanic-heritage-month-resources

https://www.ebsco.com/blogs/ebscopost/top-resources-national-hispanic-heritage-month



Copy describing the books listed below is provided by the publishers.




"For Ingrid Rojas Contreras, magic runs in the family. Growing up in the Colombia of the 1980's and 1990's in a house where "what did you dream?" was asked in place of "how are you?" her world was laced with prophecy and violence. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with the ability to talk to the dead, tell the future, treat the sick, and move the clouds. As a young girl, Rojas Contreras eavesdropped on her mother's fortune-telling business from the stairs and waited eagerly for the moments when Mami appeared in two places at once. She was accustomed to "letting the ghosts in." So when Ingrid, now living in the U.S., suffered a head injury in her 20's that left her with amnesia-an accident eerily similar to a fall that had put her mother in a coma at the age of 8, from which she woke with not just amnesia, but the ability to see ghosts--the family assumes "the secrets" have finally been passed down to the next generation. But as Ingrid recovers her memories, they don't come with supernatural abilities. Rather, she is consumed by a powerful urge to learn even more about her heritage than she knew before the accident. Spurred by a shared dream among Mami and her sisters, wherein Nono communicates that he is unable to rest peacefully in the afterlife, Ingrid joins her mother on a journey home to Colombia to disinter her grandfather's remains. With her mother as her unpredictable, stubborn and often hilarious guide, Ingrid traces her lineage back to her indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her family into two camps: those who believe "the secrets" are a gift, and those who are convinced they are a curse. Interweaving family stories more enchanting than any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary"--. Provided by publisher.




"A book of essays spanning the author's career a[nd] reflecting upon the various homes she's lived in around the world"-- Provided by publisher.
Desde Chicago a México, los lugares en los que Sandra Cisneros ha vivido han servido de inspiración para sus trabajos ya clásicos de ficción y poesía. Sin embargo, una casa propia, un lugar en el que realmente pueda echar raíces, la ha eludido. En esta autobiografía rompecabezas, formada de ensayos e imágenes a través de tres décadas (algunas nunca antes publicadas) Cisneros ha llegado por fin a casa.-- Source other than Library of Congress.

 



"At the age of 8, Reyna Grande made the dangerous and illegal trek across the border from Mexico to the United States, and discovered that the American Dream is much more complicated that it seemed."--Provided by publisher.

"Cuando el padre de Reyna Grande deja a su esposa y sus tres hijos atrás en un pueblo de México para hacer el peligroso viaje a través de la frontera a los Estados Unidos, promete que pronto regresará; con el dinero suficiente para construir la casa de sus sueños. Sus promesas se vuelven más difíciles de creer cuando los meses de espera se convierten en años. Cuando se lleva a su esposa para reunirse con él, Reyna y sus hermanos son depositados en el hogar ya sobrecargado de su abuela paterna, Evila, una mujer endurecida por la vida. Los tres hermanos se ven obligados a cuidar de sí mismos. En los juegos infantiles encuentran una manera de olvidar el dolor del abandono y a resolver problemas de adultos. Cuando su madre regresa, la reunión sienta las bases para un capítulo nuevo y dramático en la vida de Reyna: su propio viaje a El otro lado para vivir con el hombre que ha poseído su imaginación durante años-- su padre ausente."--Book cover.



"From the New York Times bestselling author of I Am Not Your Perfect Mexican Daughter, an utterly original memoir-in-essays that is as deeply moving as it is hilariously funny"--. Provided by publisher.
Growing up as the daughter of Mexican immigrants in Chicago in the nineties, Erika Sánchez was a self-described pariah, misfit, and disappointment—a foul-mouthed, melancholic rabble-rouser who painted her nails black but also loved comedy, often laughing so hard with her friends that she had to leave her school classroom. Twenty-five years later, she’s now an award-winning novelist, poet, and essayist, but she’s still got an irrepressible laugh, an acerbic wit, and singular powers of perception about the world around her. In these essays, Sánchez writes about everything from sex to white feminism to debilitating depression, revealing an interior life rich with ideas, self-awareness, and perception. Raunchy, insightful, unapologetic, and brutally honest, Crying in the Bathroom is Sánchez at her best—a book that will make you feel that post-confessional high that comes from talking for hours with your best friend.



An inspiring and deeply personal coming of age memoir from one of Silicon Valley's youngest entrepreneurs-a second-generation Latino immigrant who taught himself how to code as a thirteen-year-old and went on to claim his share of the American dream.

As his parents watched their restaurant business collapse in the wake of the Great Recession, Michael Sayman was googling "how to code." Within a year, he had launched an iPhone app that was raking in thousands of dollars a month, enough to keep his family afloat-and in America.

Entirely self-taught, Sayman headed from high school straight into the professional world, and by the time he was seventeen, he was Facebook's youngest employe ever, building new features that wowed its founder Mark Zuckerberg and are now being used by more than half a billion people every day. Sayman pushed Facebook to build its own version of Snapchat's Stories and, as a result, engagement on the platform soared across all demographics. Millions of Gen Z and Millennials flocked to Facebook, and as teen engagement rose dramatically on Instagram and WhatsApp, Snapchat's parent company suffered a billion-dollar loss in value. Three years later, Sayman jumped ship for Google.

App Kid is the galvanizing story of a young Latino, not yet old enough to drink, who excelled in the cutthroat world of Silicon Valley and went on to become an inspiration to thousands of kids everywhere by following his own surprising, extraordinary path. In this candid and uplifting memoir, Sayman shares the highs and lows, the successes and failures, of his remarkable journey. His book is essential and affirming reading for anyone marching to the beat of their own drum.




[The author's] story begins in rural Puerto Rico, where her warring parents and seven siblings led a life of uproar, but one full of love and tenderness as well. Growing up, Esmeralda learned the proper way to eat a guava, the sound of the tree frogs in the mango groves at night, the taste of the delectable sausage called morcilla, and the formula for ushering a dead baby's soul to heaven. But just when Esmeralda seemed to have learned everything, she was taken to New York City, where the rules - and the language - were bewilderingly different. How Esmeralda overcame adversity, won acceptance to New York City's High School of Performing Arts, and then went on to Harvard, where she graduated with highest honors, is a record of a tremendous journey by a truly remarkable woman.-BooksInPrint.



""A beautiful, fiercely honest, and nevertheless deeply empathetic look at those who police the border and the migrants who risk - and lose - their lives crossing it. In a time of often ill-informed or downright deceitful political rhetoric, this book is an invaluable corrective."--Phil Klay For Francisco Cantú the border is in the blood: his mother, a park ranger and daughter of a Mexican immigrant, raised him in the scrublands of the Southwest. Haunted by the landscape of his youth, Cantú joins the Border Patrol. He and his partners are posted to remote regions crisscrossed by drug routes and smuggling corridors, where they learn to track other humans under blistering sun and through frigid nights. They haul in the dead and deliver to detention those they find alive. Cantú tries not to think where the stories go from there. Plagued by nightmares, he abandons the Patrol for civilian life. But when an immigrant friend travels to Mexico to visit his dying mother and does not return, Cantú discovers that the border has migrated with him, and now he must know the whole story. Searing and unforgettable, The Line Becomes a River makes urgent and personal the violence our border wreaks on both sides of the line"-- Provided by publisher.



Maria Hinojosa is an award-winning journalist who, for nearly thirty years, has reported on stories and communities in America that often go ignored by the mainstream media--from tales of hope in the South Bronx to the unseen victims of the War on Terror and the first detention camps in the US. Bestselling author Julia Álvarez has called her "one of the most important, respected, and beloved cultural leaders in the Latinx community."

In Once I Was You, Maria shares her intimate experience growing up Mexican American on the South Side of Chicago. She offers a personal and illuminating account of how the rhetoric around immigration has not only long informed American attitudes toward outsiders, but also sanctioned willful negligence and profiteering at the expense of our country's most vulnerable populations--charging us with the broken system we have today.

An urgent call to fellow Americans to open their eyes to the immigration crisis and understand that it affects us all, this honest and heartrending memoir paints a vivid portrait of how we got here and what it means to be a survivor, a feminist, a citizen, and a journalist who owns her voice while striving for the truth.


On-screen, Danny Trejo the actor is a baddie who has been killed at least a hundred times. He's been shot, stabbed, hanged, chopped up, squished by an elevator, and once, was even melted into a bloody goo. Off-screen, he's a hero beloved by recovery communities and obsessed fans alike. But the real Danny Trejo is much more complicated than the legend.

Raised in an abusive home, Danny struggled with heroin addiction and stints in some of the country's most notorious state prisons--including San Quentin and Folsom--from an early age, before starring in such modern classics as Heat, From Dusk till Dawn, and Machete. Now, in this funny, painful, and suspenseful memoir, Danny takes us through the incredible ups and downs of his life, including meeting one of the world's most notorious serial killers in prison and working with legends like Charles Bronson and Robert De Niro.

An honest, unflinching, and "inspirational study in the definition of character" (Kevin Smith, director and actor), Trejo reveals how he managed the horrors of prison, rebuilt himself after finding sobriety and spirituality in solitary confinement, and draws inspiration from the adrenaline-fueled robbing heists of his past for the film roles that made him a household name. He also shares the painful contradictions in his personal life. Although he speaks everywhere from prison yards to NPR about his past to inspire countless others on their own road to recovery and redemption, he struggles to help his children with their personal battles with addiction, and to build relationships that last.

Redemptive and painful, poignant and real, Trejo is a portrait of a magnificent life and an unforgettable and exceptional journey.


In Wild Tongues Can't Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community.

The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Saraciea J. Fennell, Kahlil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi.



"Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation.

Investigating topics that include the US-Mexico border "wall," Frida Kahlo, urban segregation, gangs, queer Latino utopias, and the emergence of the cartel genre in TV and film, Tobar journeys across the country to expose something truer about the meaning of "Latino" in the twenty-first century.





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